Skip to main content

The Powder Monkey Docupoem


I came upon Chrissie Gittins' poem, 'The Powder Monkey' while reading Michael Rosen's impressive anthology- 'Michael Rosen's A to Z -The Best Children's Poetry From Agard To Zephniah,' Puffin, 2009. I was so taken by it, I felt compelled to do some research regarding the poem's origin.

It turns out the poem formed from a conversation the poet had with a friend. Chrissie Gittins, the poet visited HMS Victory in Portsmouth, U K and learnt about the young children, often orphans swept off the streets of England, who worked on eighteenth century sailing ships as powder monkeys. They kept the artillery on the gun decks stocked with gunpowder. She was shocked to discover that before 1794 children as young at six went to sea. She visited the Caird Library at the National Maritime Museum to research further.

The  resultant docupoem  won the Belmont Poetry Prize for individual children’s poems. This was especially significant as the shortlist was drawn up by teachers and the prizewinners were chosen by thirteen year old children. Such perceptive young readers...

Coincidentally, after 1794, the minimum age for children working at sea was raised to thirteen.




The Powder Monkey

This is the moment I dread,
my eyes sting with smoke,
my ears sing with cannon fire.
I see the terror rise inside me,
coil a rope in my belly to keep it down.
I chant inside my head to freeze my nerve. 
 
 
Main mast, mizzen mast, foremast,
belfry, capstan, waist.
 
We must keep the fire coming.
If I dodge the sparks
my cartridge will be safe,
if I learn my lessons
I can be a seaman,
if I close my eyes to eat my biscuit
I will not see the weevils.
 
Main mast, mizzen mast, foremast,
shot lockers, bowsprit, gripe.
 
Don’t stop to put out that fire,
run to the hold,
we must fire at them
or they will fire at us.
 
Main mast, mizzen mast, foremast,
belfry, capstan, waist.
 
My mother never knew me,
but she would want to know this –
I can keep a cannon going,
I do not need her kiss.
Chrissie Gittins

It is once again Poetry Friday and our host this time is Tracey Kiff-Judson. Tracey shares some critically important messages about inspiration and the parallels between cooking and other artisitic pursuits.
 

Comments

  1. Alan, I am glad you dug into the history of this poem – absolutely fascinating. It is hard to imagine six-year-old children responsible for stocking gunpowder for heavy artillery. One twist of fate and a parentless child is off to sea, their childhood gone. It feels like a Charles Dickens novel.

    ReplyDelete
    Replies
    1. It all fits in perfectly with the Charles Dickens era, Tracey. You are spot on. It is both shocking and intriguing to uncover this horrible historic truth. Chrissie Gittins' poem draws attention to past practices, but child slavery continues in modern times, so we haven't achieved as much as we need to.

      Delete
  2. Wow. This is shocking--both the history and the poem. Those last two lines. So full of...pride? Defiance? Self-reliance? Fabulous--thank you for sharing this, Alan!

    ReplyDelete
    Replies
    1. The poem is aptly shocking, Laura as you state. We who read it are shaken and distrubed and this is as it should be. Poetry has many purposes.

      Delete
  3. This is Rose C. (I can only comment as anonymous. ) Thanks for sharing this fascinating story, Alan. The repeated chant is haunting.

    ReplyDelete
    Replies
    1. As you write, Rose, there is a haunting element to this powerful poem.

      Delete
  4. Alan, what a poem, and what a grisly story of children going on sailing ships as the "powder monkeys" Yikes!

    ReplyDelete
    Replies
    1. What a poem, indeed Denise. It shakes and stirs the reader. Just what a great poem should hope to do.

      Delete
  5. Six years old! Heartbreaking. Such a powerful poem.

    ReplyDelete
  6. Wow! Thank you for sharing this. I really love docupoetry. Going to look up this collection too.

    ReplyDelete
    Replies
    1. Glad to share sometihng that has appeal to my fellow poets, Marcie. Good luck with your investigations.

      Delete
  7. Very well done poem-- you can see the fruits of her research! I like that she shows ways the child calms himself that make sense in the context. Thanks, Alan!

    ReplyDelete
    Replies
    1. Agreed, Tabatha. Astute observations by you.

      Delete
  8. This is Janice. I just love poems based on history, like this one, that puts the reader in a child's place, one who lived in a different time. But we also know that there are present day children thrust into impossible situations. Thank you for bringing these children out of the shadows.

    ReplyDelete
    Replies
    1. Your response is most perceptive, Janice. And as much as history informs us, we are also reminded of present day inhumane treatment of children.

      Delete

Post a Comment

Popular posts from this blog

Poetry Inspired by Images and Objects

There are many ways pictures and photographs can be conscripted to support the writing of poetry. Allow me to share a few ideas with you: Old photographs are a great source of inspiration. Cynthia Rylant explored this idea with great success in her book 'Something Permanent' where she employed the Depression era photographs of Walker Evans to add a new voice to the starkness to the lives of people experienced under extreme circumstances. I have used this strategy to spark many individual poems. In ' I Bet There's No Broccoli On The Moon,' I used a photo I had taken in 2004 while living in New York to inspire a poem. The poem was based on a story related by a friend who grew up in New York.  I regularly combined poetry and pictures in my writer's notebook, drawing on inspiration from the photograph and my personal memories. We can also utilize existing cartoons and illustrations to create ekphrastic poems. I frequently use the illustrations of Jim Pavlidis to co

Opposite Poems

O pp o s ite P oem s In his book, ' How To Write Poetry,'  Paul Janeczko presents the idea of opposite poems. Paul suggests they could also be referred to as antonym poems. This is wordplay and it's fun to try. Here are some examples Paul provides to help us see very clearly how these short little poems work. I think the opposite of chair Is sitting down with nothing there What is the opposite of kind? A goat that butts you from behind Paul Janeczko You will  notice the poems are written in rhyming couplets. They can be extended so long as you remember to write in couplets. Paul shows us how this is done. What is the opposite of new? Stale gum that's hard to chew A hot-dog roll as hard as rock Or a soiled and smelly forgotten sock You might notice that some of Paul's opposite Poems begin with a question. The remainder of the poem answer the question posed. Opposite poems are a challenge, but it is a challenge worth trying. Not e

Poetry Friday: The Safety Pin Poem

Poets not only write poetry, they also read poetry. In order to be able to write poetry, one must read it. Lots of poetry in fact...  I want to share a short little poem by Valerie Worth. I bought Valerie's book, 'All The Small Poems And Fourteen More,' while living and working in New York, some time back. It remains a personal favourite.  I love the way the poet shines a special light on everyday objects, transforming them into something unique and worthy of attention. Her close observations elevate her poems into the special category.  Each poem in the collection celebrates earthly wonders. From eggs to garbage, from potatoes to pockets, each object is given special attention in the form of short poems employing keen observations.  Valerie Worth demonstrates through her poems she totally understands the saying-'ideas exist in things.'  The poem I have chosen to share with you (one of my personal favourites) is titled, 'Safety Pin'. S af