Action Words And Poetry

Recipes are written with a precise use of language. The application of action words in the form of vivid verbs is a feature of this form of writing. I love the clear intent of words such as:

sift, dice, boil, sprinkle, sauté, blanche, pinch, muddle, chop, whip, slice, bake, season, salt, soak, plunge, dissolve, melt, boil.

What if these verbs were applied to a non-cooking topic? Could we create recipes for animals, traveling, feelings and emotions, seasons, learning or many other topics?

I recall a wonderful activity Natalie Goldberg presented in her book, 'Writing Down The Bones' (page 87, The Action of A Sentence) that coupled verbs one generally associates with kitchen actions with common nouns in order to create fresh new sentences and to increase writers awareness of the power verbs possess.

A further possibility is creating a recipe for some wondrous, new, edible delight…

Elaine Magliaro’s poem is a wonderful example of this approach. Elaine skilfully applies powerful verbs when creating a recipe for making a perfect morning. the allusion to a recipe is in evidence.

How to Make a Morning

Melt a galaxy of stars in a large blue bowl.
Knead the golden sun and let it rise in the East.
Spread the sky with a layer of lemony light.
Blend together until brimming with brightness.
Fold in dewdrops.

Sprinkle with songbirds.
Garnish with a chorus of cock-a-doodle-doos.
Set out on a platter at dawn and enjoy.
by Elaine Magliaro

We must choose our verbs carefully. They should assist the reader to visualize with greater clarity. They are the muscles of writing, adding power to the poetry we are attempting to make. Viva Le Verb!

Poetry Inspired by Images and Objects

There are many ways pictures and photographs can be conscripted to support the writing of poetry. Allow me to share a few ideas with you: Old photographs are a great source of inspiration. Cynthia Rylant explored this idea with great success in her book 'Something Permanent' where she employed the Depression era photographs of Walker Evans to add a new voice to the starkness to the lives of people experienced under extreme circumstances. I have used this strategy to spark many individual poems. In ' I Bet There's No Broccoli On The Moon,' I used a photo I had taken in 2004 while living in New York to inspire a poem. The poem was based on a story related by a friend who grew up in New York. I regularly combined poetry and pictures in my writer's notebook, drawing on inspiration from the photograph and my personal memories. We can also utilize existing cartoons and illustrations to create ekphrastic poems. I frequently use the illustrations of Jim Pavlidis to co

Opposite Poems

O pp o s ite P oem s In his book, ' How To Write Poetry,' Paul Janeczko presents the idea of opposite poems. Paul suggests they could also be referred to as antonym poems. This is wordplay and it's fun to try. Here are some examples Paul provides to help us see very clearly how these short little poems work. I think the opposite of chair Is sitting down with nothing there What is the opposite of kind? A goat that butts you from behind Paul Janeczko You will notice the poems are written in rhyming couplets. They can be extended so long as you remember to write in couplets. Paul shows us how this is done. What is the opposite of new? Stale gum that's hard to chew A hot-dog roll as hard as rock Or a soiled and smelly forgotten sock You might notice that some of Paul's opposite Poems begin with a question. The remainder of the poem answer the question posed. Opposite poems are a challenge, but it is a challenge worth trying. Not e

Powerful Poetry, 'Refugees' by Brian Bilston

This week, Poetry Friday is hosted by Janice Scully @ Salt City Verse where Janice shares some original words and offers us a taste of Thomas Carlyle to ponder. I encourage you to join a host of poets from all around the globe and visit Janice's page... Almost two years to the day, I wrote a post featuring the poem 'Refugees' by Brian Bilston. The poem was included in Brian's first book of poetry, 'You Took The Last Bus Home.' A very powerful Reverso poem and technically brilliant. A Reverso poem can be read from top to bottom or bottom to top. It will often express opposite opinions depending on which way you read it. Such poems really make us think. A Reverso poem is like a picture turned upside down, a frowning face upended to reveal a smiling one. The poem read in reverse, contradicts itself with an opposing message. In 'Refugee' Brian Bilston focuses on a societal issue that tends to polarize feelings and the opposing views are clearly in eviden

Search This Blog