Skip to main content

Monotetra Poems


This week, I  have  taken up the challenge of writing a  'monotetra poem.'

A monotetra is a poetic form developed by poet,  Michael Walker sometime in the early 2000's.  I tried to find out more about how Michael came up with this form, but It's all a bit vague, actually.

Monotetras are comprised of quatrains (four line stanzas) and a closing refrain. Each line has a total of eight syllables and end with mono rhymed lines. The final line of each stanza delivers a repeat of four syllables. 

The rules:
  • Four line stanzas
  • Each line has eight syllables
  • Each line ends with a mono rhymed word
  • The fourth line of each stanza has a four syllable repeated refrain

 The poem can have as many stanzas as you wish.  My monotetra is two stanzas long. 


A Poet On The Launching Pad


Sometimes it's hard to make a start
Ideas land, but stay apart
The challenge of this writing art
To trust your heart, to trust your heart.

Then words upon the page arrive
Your writing heart feels so alive
You've found the spark for which you strive
A poet's drive, a poet's drive.
Alan j Wright













It is yet again Poetry Friday and this week our genial host is Tabatha Yeatts at The Opposite of Indifference. As our host Tabatha shares some insightful thoughts regarding resistance and the things that frustrate us. She shares a rather clever found poem, written by her daughter, Ariana.

Comments

  1. Thanks for sharing the monotetra, Alan, and for your shared example. That first stanza really speaks the truth! I'm looking forward to playing around with the form in my notebook.

    ReplyDelete
    Replies
    1. You could bcome Monotetra Molly! Glad you liked my introduction.

      Delete
  2. Thanks for sharing this new-to-me form. I love how your poem's title draws us in, and how we "take off" in the second stanza.

    ReplyDelete
    Replies
    1. My pleasure Carmela. I appreciate your reflective response to my words.

      Delete
  3. From Susan T.: This sounds like the beginning of a song, Alan! Possibly a country song. I'll have to give the form a try, too.

    ReplyDelete
    Replies
    1. I hadn't thought of it from that perspective Susan, but given the close relationship between lyrics and poetry, I shouldn't be surprised. Have fun with the Monotetra...

      Delete
  4. That form looks like a brain teaser. Thanks for sharing it. I like what you wrote for it.

    ReplyDelete
    Replies
    1. It wasn't too taxing for my Friday morning brain fortunately, Kay. I was pleasantly surprised. I enjoyed the process of 'making' the poem. I was lucky I had the subject to bring to the process.

      Delete
  5. Alan, thank you for introducing me to the monotetra poem. Your title is so inviting and by stanza two the poem evolves. "To trust your heart!" - a wonderful thought!

    ReplyDelete
    Replies
    1. Carol, I appreciate your considered response. Glad you liked the form and the focus.

      Delete
  6. I like "Ideas land, but stay apart" feels familiar to me and we strive to bring ideas together. I like the rhythm of this form and it seems it's partly due to the syllabic count. Thanks, Alan.

    ReplyDelete
    Replies
    1. Ah, the initial stand off between ideas and intent. We must strive for connection. I think you're spot on with your observation about the syllabic constancy of the form. I found that aspect quite comforting.

      Delete
  7. It's plain & clear, almost a startling form, speaking truth! I like the way the final lines sound, Alan. And I love the quotes! Thanks for sharing this form, new to me!

    ReplyDelete
    Replies
    1. Like you, Linda, I enjoyed the refrain at the end of each stanza. It was an emphatic statement. I am pleased to have made the introduction. A startling form indeed. I shall be trying some more, no doubt about it.

      Delete
  8. Nice job with the monotetra, Alan. Thank goodness for those times when we find the spark!

    ReplyDelete
    Replies
    1. Thanks Tabatha. Yes, the 'spark' is such an essential and magical aspect of writing and we must remain eternally grateful when it suddenly looms up.

      Delete
  9. Hooray! A new form to play with. And, a wonderful mentor text, too. Thank you, Alan. I love the truth of your last line.

    ReplyDelete
    Replies
    1. Thank you Linda. Glad you liked this new form of poetry. Good luck with your own exploration...

      Delete
  10. Alan, your monotetra is wonderful, and speaks to the joy you have as a poet. I love the image of some of your work, published and in process. I look forward to giving the monotetra a try.

    ReplyDelete
    Replies
    1. Thanks Denise. Much appreciated. Glad you noticed the image. It was specifically chosen to complete the writing scene. Good luck moving forward with Monotetra Poems!

      Delete
  11. You've sparked my interest in the monotetra form, Alan. "Your writing heart feels so alive" - nice!
    And that Auden fella was on to something... :)
    (what an honour to see the 10.10 Poetry Anthology keeping company with some amazing mentor texts!)

    ReplyDelete
    Replies
    1. Sparking is good Bridget. Auden's words ring so true, particularly in this instance. It was quite timely synchronicity. Glad you liked the specially chosen texts.

      Delete
  12. It'll be fun to play with the monotetra form, Alan. Thank you for suggesting it to us. I am delighted with your objective look at writing poetry, having found both subject and form. Bravo!

    ReplyDelete
  13. I wish you lots of enjoyment dabbling in Monotetra, Patricia. I thoroughly enjoyed this form of poetry. It won't be the last time I call by for help. Auden's word certainly rang true in this instance. I am most grateful for that delightful experience.

    ReplyDelete
  14. The monotetra is new to me and yours is delightful! It's an inviting form, so prescribed and yet lots of room to move around.

    ReplyDelete
    Replies
    1. Thank you, Karen. It is a quite inviting form as you state, and while the structure is prescribed. I didn't feel constricted.

      Delete
  15. Alan, thanks for giving me guidance on the a new form for me, the monotetra.

    ReplyDelete

Post a Comment

Popular posts from this blog

Poetry Inspired by Images and Objects

There are many ways pictures and photographs can be conscripted to support the writing of poetry. Allow me to share a few ideas with you: Old photographs are a great source of inspiration. Cynthia Rylant explored this idea with great success in her book 'Something Permanent' where she employed the Depression era photographs of Walker Evans to add a new voice to the starkness to the lives of people experienced under extreme circumstances. I have used this strategy to spark many individual poems. In ' I Bet There's No Broccoli On The Moon,' I used a photo I had taken in 2004 while living in New York to inspire a poem. The poem was based on a story related by a friend who grew up in New York.  I regularly combined poetry and pictures in my writer's notebook, drawing on inspiration from the photograph and my personal memories. We can also utilize existing cartoons and illustrations to create ekphrastic poems. I frequently use the illustrations of Jim Pavlidis to co

Opposite Poems

O pp o s ite P oem s In his book, ' How To Write Poetry,'  Paul Janeczko presents the idea of opposite poems. Paul suggests they could also be referred to as antonym poems. This is wordplay and it's fun to try. Here are some examples Paul provides to help us see very clearly how these short little poems work. I think the opposite of chair Is sitting down with nothing there What is the opposite of kind? A goat that butts you from behind Paul Janeczko You will  notice the poems are written in rhyming couplets. They can be extended so long as you remember to write in couplets. Paul shows us how this is done. What is the opposite of new? Stale gum that's hard to chew A hot-dog roll as hard as rock Or a soiled and smelly forgotten sock You might notice that some of Paul's opposite Poems begin with a question. The remainder of the poem answer the question posed. Opposite poems are a challenge, but it is a challenge worth trying. Not e

Powerful Poetry, 'Refugees' by Brian Bilston

  This week, Poetry Friday is hosted by Janice Scully  @ Salt City Verse where Janice shares some original words and offers us a taste of Thomas Carlyle to ponder. I encourage you to join a host of poets from all around the globe and visit Janice's page... Almost two years to the day, I wrote a post featuring the poem 'Refugees' by Brian Bilston. The poem was included in Brian's first book of poetry, 'You Took The Last Bus Home.' A very powerful Reverso poem and technically brilliant.  A Reverso poem can be read from top to bottom or bottom to top. It will often express opposite opinions depending on which way you read it. Such poems really make us think. A Reverso poem is like a picture turned upside down, a frowning face upended to reveal a smiling one. The poem read in reverse, contradicts itself with an opposing message. In 'Refugee' Brian Bilston focuses on a societal issue that tends to polarize feelings and the opposing views are clearly in eviden